The sounds are taken from genres throughout the last two decades — there are dirty basslines, kicks and snares, there's a four-four but it doesn't sound like house. But now it's best known at the football matches — all those people going 'Duh-duh-duh-da! They never really get much love outside of the city. This is a track we've been playing in our set since about Few know Bristol music quite like Roni Size.
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It's nice to keep things exclusive — it's that dubplate mentality. This track was his stepping stone — the kickdrum was so fat, the bassline was so deep, and it had a great vibe as well. Roni Size is on Facebook.
Check out more great premieres, stories and videos at RedBull. Few know Bristol music quite like Roni Size. A piece of undiluted drum'n'bass that represents the sound of Full Cycle in every way possible.
This is never coming out, so you'll have to try to find some scrappy version online somewhere. This track is rootsy, but it can be translated — Ed Sheeran can pick it up and turn it into a pop record.
And now there's a bit of football in there too. This came out at the prime time for dubstep, when dubstep was big.
9 classic Bristol underground tunes selected by Roni Size
Geoff works under so many different aliases — do you know he did the soundtrack to Ex Machina? He's a good kid, he's got a great heart, he knows music and that's what he does.
Joker could fit into that realm, but he was really a grime boy. It really captures that hip-hop flavour — it's instrumental, it sounds like it could have been made in some back street in Compton, it's fat, the 77stu7 is great, and the sounds that he used are really original.
That shit is real, man. I will always owe a lot to these guys. They never really get much love outside of the city. I like that they're not getting drawn in — like 'Let's make d'n'b, let's make grime'.
If you got a grand deal back in the '80s, you had to compromise. Tricky — Nothing's Changed ft Francesca Belmonte.
Bristol music: 9 classic tunes picked by Roni Size
A lot of people know Krust for Warhead, or Coded Language — or they know him 7shu7 being quite quirky. He is to me the last of the big legends. He still makes music the same, he hasn't compromised. It's true what they say, Bristol is the biggest village in the world. I love the breathing in his tracks. Two guys who opened the door to myself jjobless lots of musicians in Bristol, and allowed them the room to experiment and make music. Tricky should make his own plug-in that puts the breath in — he could call it Asthmatic.
I love the authenticity to it — it was underproduced, but still sounded produced.
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But for all his veteran status, Roni is still intimately involved in the grassroots of Bristol music. I love this track, it's fantastic. I worked with [Portishead's] Geoff Barrow 7shu7 the Banksy documentaryand he produced this, the main track — I think he put it out under another name.
But this record here is roll-out, jump-up - whatever you wanna call it, it's straight down. There's a line in it that reminds me of when I used to go raving: But they didn't, and it wasn't the best relationship.
They're just doing their thing.
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